I have always really enjoyed sketching but wanted to explore a looser style and commit to a daily practice. When I found this gorgeous hand made sketchbook at Fairweather gallery in Seaside I knew exactly how I was going to use it. I divided the whole sketchbook into 5 day increments, and try to sketch daily. My sketches are 5-10 minutes long using a loose, gestural line. Part of the fun is trying to find different plants every day. There is so much floristic diversity around us, that it is not as hard as it sounds. I collect small samples of plants from my yard or from my walks, and enjoy capturing their beauty every day. The sketchbook is small, about 5" by 5", and very easy to hike with. The paper is rough, almost cold press watercolor which is not typically recommended for pen and ink, but it works for the looser style. Sketching daily and adding plants is also a good exercise in creating different compositions and movements.
Since pandemic started last year, I had a lot more time to just focus on exploring the coastal area where I live. I am typically a forest person, but this year the beach proved to be magical by providing an expansive and safe environment to walk and relax. Walking the beach daily over the winter months and seeing incredible reflections and changes in light shifting over the beach and wet sand inspired me to capture these scenes in pen and ink and watercolor. I work from my own photographs, using tan mixed media background and a limited palette to convey the gloominess of the beach environment in winter, yet trying to capture the shifting lights. As weather is warming up I have started to sketch and paint these landscapes in the field. It has been a fun break from botanical studies.
I am very happy to have finally completed this project. This is my 5th coloring book, and although I didn't plan on creating any more coloring books, this project was too tempting not to accept. The coloring book has 17 illustrations of flora and fauna of the Milld Pond. The city of Seaside is transforming the old mill pond into a Mill Pond Natural History Park with the hope of upgrading trails and access. They have asked me to create a coloring book that depicts plants and animals that can be seen around the milld pond. The area is famous for bird watching and it has some beautiful sitka trees. I chose illustrations of plants, birds and pollinators that can be seen at that site. As always creating a coloring book takes hours of research, sketching, refining compositions and finally inking the illustrations with a steady hand.
What a gift it is to be at Bloedel Reserve for an artist residency! Since I have arrived I have been enjoying the trails and the creative solitude. The quiet woods, the meandering pathways and the cheerful singing of the birds is such a joy to experience. On my first day, I discovered the Strolls for Well-Being book, which has inspired me to do some focused strolling and journaling.
I have several projects I am working on while at Bloedel. One of the projects I am working on is creating pen and ink illustrations for Seaside Natural History Park, in Seaside, Oregon. It is a new park being developed by the city of Seaside, where I live. Originally a mill pond, an area bordering a North Coast Land Conservancy parcel is being transformed into a small nature reserve. The area is popular with birds, river otters, and other wildlife and is being replanted with native plants.
In May, I was approached by the Park Committee to create coloring book pages of flora and fauna from this area. I already have some illustrations of flora, so I am focusing now on creating illustrations of fauna and some other flora as well. The Park committee will be using my illustrations to create a coloring book that will be both downloadable for free and sold as part of a fundraiser for the park.
I really enjoy being part of this project, and have already used sketches at Bloedel to create several illustrations, as some of the species are similar at Bloedel and the Seaside Natural History Park. Just today, I finished an illustration of a Kingfisher and a Cedar tree. Yesterday, I witnessed Kingfishers diving in the marsh pond with such agility and energy. I also love observing Cedar trees at Bloedel, how the upward movement of the branches create an uplifting feeling. I love seeing woodpeckers and the dragonflies and, most of all, the emerald textures of various plants and trees.Once I finish the illustrations, I hope to spend the rest of my residency painting. I am especially inspired by the meadow full of wildflowers as it reminds me of Polish meadows of my childhood memories. I’m sketching yarrow, foxglove, lupin and red clover from the meadow to create a watercolor painting in a horizontal format. Each walk through the Reserve brings new ideas and inspirations so who knows what other projects may emerge from my stay here.
I was recently commissioned artwork for Columbia Memorial Hospital Clinic in Seaside, OR and since I love the idea of having nature related art in health care settings I was excited to work on this project. I created 25 botanical illustrations of native plants of the Pacific Northwest. The illustrations are mounted on 6” by 6” woodblocks arranged in a square 5 horizontally and 5 vertically, forming a three-dimentional mosaic. Each piece is completed in colored pencils on walnut ink stained background, with layers of protective wax on top. Each piece represents one native plant of our local area, I chose plants that have been used medicinally by Native People of this area. I love old world botanicals, so the walnut ink background I create mimics the old manuscripts a bit. The illustrations are vibrant in color and the subject matter ranges from trees, cones, flowers to berries. There will be text next to the botanical illustrations, explaining how each plant was used medicinally by Native People.
My family has always had a lot of artistic, linguistic and horticultural inclinations. I grew up in Poland and spent a lot of time in the garden or in the forest mushroom hunting or hiking with my parents. In Poland it is very common to use plants for healing purposes, from garlic to St. John’s wort, chamomile to horsetail. When I studied Art and International Studies at Pacific University, with focus on Indigenous Cultures of America, I became fascinated by history and culture of Native People and their use of plants for healing purposes.
I have worked on this commission since April, and I am happy it’s finally going to be installed in January, 2020. Non only creating art can be healing and therapeutic, but viewing and being surrounded by depictions of plants in a health care setting can be soothing and calming. The cyclical nature of plants remind us of human life cycle. Above all, nature and plants have amazing powers of regeneration, they give us hope for our own well-being. I feel happy that my botanical art of healing native plants will have a permanent home and assist people in healing and creating their own well being.
See more images for this commission under Native Plant Commission on this website.
I have loved Chinese garden ever since it has opened over 20 years ago. I have been a member for almost as long. I love visiting it especially in the winter, as there are a number of plants that are blooming and are surprisingly fragrant. The sweet smells can lift the spirit during the cold, dark months. The rock pathways covered in moss intrigue with various designs, the architecture and passageways allow for "losing yourself in" as if you were in an Escher's painting, and flowers and trees help beat the winter doldrums. In October and November I participated in an exhibit Mums and More with Oregon Botanical Artists. I have selected a few plants from the garden and was even generously given some cuttings to make my illustrations. I illustrated two different magnolias in their winter attire, a brozny chrysanthemum and a pomegranate branch. I had an opportunity to attend the opening reception, when the garden was beautifully lit up at night revealing interesting shapes and shadows. My favorite is always doing a public demonstration as it's a fun opportunity to talk about my art process and meet interesting people. The show is down now, but I am due for another visit for a stroll and a hot cup of tea at the Tea House.
Yay! I received my Diploma in Botanical Illustration with Distinction.
After 27 months of constant work I finally reached the end of the program. Living in a rural area the program offered by Society of Botanical Artists in London UK is one of the best because it is primarily a correspondence course, therefore a good choice for someone not living near a University or a Botanical Garden offering such programs. Distance Learning Diploma Program is an intense program that required 15 assignments all together including 3 for a final portfolio. Each assignment was mailed in original to the UK, and received feedback and a critique, and then was mailed back. I had different tutors for various assignments and each offered an interesting point of view and suggestions. Tutors were professional artists with long careers in botanical illustration. I had to dive into botany books to learn about various botanical aspects which I found very informative and contributed tremendously to my knowledge and awareness of drawing. I learned how to dissect plants and look for botanical features under a microscope. I enjoyed combining graphite pencil drawing with my botanical illustrations and deepening my technique of colored pencil work. I attempted each assignment with my best effort and some assignments took over 60 hours.
One area I improved the most is composition, I was challenged to create more complex arrangement with awareness of movement and placement of botanical elements. I am very grateful for all the tips and techniques I have learned and for the botanical knowledge I have learned. It was an unforgettable experience hunting for specimens, preparing sketches and finishing complete illustrations.
Now I have a diploma ready to frame, a portfolio full of varied botanical works and a new learned self-discipline. While writing my final essay about Maria Sibylla Merian, who studied butterflies and host plants, I discovered a new direction: I want to illustrate native plants and pollinators of the Pacific Northwest.
My work for this exhibit includes several native plant portraits, some are on walnut ink stained surface and some on traditional white background. I am often asked why I choose to portray plants this way. I would have to say that I find the traditional botanical portrayal of plants aesthetically pleasing and I like connecting the the rich history of botanical art especially depicting plants for herbals, or medicinal books that included illustration of medicinal plants for identification purposes. Many of the native plants I choose to draw are medicinal and edible.
The reason I choose to portray plants in a solitary way, is to draw attention to each individual beauty and complexity, and also diminishing habitat. At the same time I like to display them in groupings to show interrelationships of various plant species. We still don't understand completely the interrelationship of plants, fungi, trees, insects and animals. Their roles and hidden and invisible, but often they help exchange nutrients, provide food or shelter, or breeding space. So although the plants I depict are solitary ultimately I want to draw attention to their relationships and human relationships with the plants.
I had a wonderful opportunity to exhibit with Oregon Botanical Artists at Cannon Beach Arts Association in a show titled Forest to Garden throughout end of March through beginning of May, 2019. We had 20 participating artists and the plants depicted were plants from the Pacific Northwest Gardens and Forests. I chose to depict three native plants: Evergreen Huckleberry, Salal and Oregon Grape. I used colored pencils on walnut ink stained surface, and added a hummingbird to the huckleberry and salad drawings and a bee to the Oregon Grape drawing. I really enjoyed incorporating hummingbirds and bees as they are important pollinators for our native plants. I hope to carry on the theme and create more drawings of native plants. Visiting people were introduced to botanical art genre which has not been exhibited on the Oregon coast before.
For my Assignment 9 (Diploma in Botanical Illustration through Society of Botanical Artists in London) I chose Skunk Cabbage. Skunk cabbage is one of my favorite flowers in my yard. They are also one of the first flowers to bloom in the spring on the coast. This year they are arriving late. When you see these bright yellow flowers poking through the ground along creeks, ponds, wetland areas and marshes you know spring has arrived. By early summer the flowers die down and what remains are tropical large leaves. The name-skunk cabbage-refers to the flower’s strong, “skunky” smell. It is sometimes called Swamp Lantern or “Indian wax paper.” The yellow “petal” is actually a spathe and is a form of a leaf; the actual flowers are on the spadix, the club in the center of the yellow “flower.”
Bears coming out of hibernation in spring love to eat the roots and leaves of the skunk cabbage, although I have never seen bears around eating them. Also elk supposedly eat the roots as well. Skunk cabbage is pollinated by beetles and flies. I do see lots of tiny beetles and flies on the spadix often.
Skunk Cabbage has some interesting historical usage by Native People. Native Americans have used skunk cabbage as both food and medicine. The poultice of fresh leaves was used to treat burns, sores, boils and swelling. Poultice was also used to treat bronchitis by applying it to the chest. Cooked skunk cabbage roots have also helped Native Americans survive during times of famine. The roots have to be cooked thoroughly because they contain calcium oxalate and can be poisonous. Another interesting use of skunk cabbage is the use of leaves as modern wax paper, to separate or serve food or to wrap food to be cooked. Salmon was often wrapped in skunk cabbage leaves and cooked or steamed in pits. Modern herbalists also recommend skunk cabbage for cough, flu and bronchitis.
For this illustration I did many sketches outside, cut a flower and worked on it in my studio, and dug up the roots which I replanted later. Observing the structure of the individual flowers under a magnifying lens was very interesting.
Educator, artist, forager